Dear Mr. Sulzberger, happy New Year, re: Peter Handke

Dear Mr. Sulzberger, happy New Year,

re: Peter Handke's theater & your theater staff total fateful and telling innocence of his work.  Your paper did not even acknowledge his receipt of the Ibsen Prizenor of the Muehlheim as the best German play

see  https://handke-drama.blogspot.com/ for  all of these and  further drama references

There has been no mention of Handke mature dramas since

Alan Riding's uncomprehending 1994https://www.nytimes.com/1994/12/26/theater/the-drama-before-language-intervenes.html  

or any of the great premieres in Germany or France. Of

your reviewer rabble -Neil Genzlinger, Elisabeth Vincentelli, Alexis Soloski, Susan Fales-Hill, Peter Libbey, Amanda Hess, Michael Paulson. Brantley,  only Matt Wolf in his review of Handke director Klaus Peymann's Stuttgart KING LEAR production mentions that Handke did the translation  of the Fool's songs, and thus the sorry lot

seem entirely innocent of Handke's work and have never addressed it at the Times or theirf previous hovels of employ. 

And just look at the total incompetence of the literary critics who have murdered Handke's work in your pages

https://artscritic.blogspot.com/2015/04/peter-handke-new-york-times-50-year.html  

Best, 

Michael Roloff